
Alexander Anderson-Hall
Tenor
​Contact.
"...Alexander Anderson-Hall’s Cecco was the other, sharply-characterised servant... he has a winning stage presence". Il Mondo della Luna - Opera East Productions. (Mark Berry, Seen and Heard International MusicWeb International's Worldwide Concert and Opera Reviews July 2009)
Email: alex@alexanderandersonhall.com
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More Reviews:​
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"Actors in opera are usually cast because they can sing, rather than because they fit the part in any other way. The four here - especially Yvonne Patrick and Alexander Anderson-Hall as Fiordiligi and Ferrando - act and sing their parts beautifully, with utter conviction. " (Cosi fan Tutte, Swansea City Opera. Evening Star, Ipswich, March 18, 2005)
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"...The Surrey Opera cast emphasized youth, yet their training, both in singing and acting belied their age and appeared mature. The lovers Alexander Anderson-Hall as Tamino and Sian Jones as Pamina, both sang solo and duets strongly, while acting with convincing appeal..." John Frayn Turner (The Guide - Surrey Mirror) The Magic Flute - Surrey Opera (17.06.04)
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"Newcomer Alexander Anderson-Hall and Chris Marlow, fast becoming a Stanley favourite, are in great form in this production as Ferrando and Guglielmo, the tenor and baritone voices blending well. Cosi fan tutte - Stanley Opera. (Mitch Irving, Hinckley Times, April 2009)
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"...As the other half of the spirited double act, Alexander Anderson-Hall proved an accomplished actor, first as the drunken soldier then, hilariously, as Donna Alfonsa the grey-wigged, substitute singing teacher armed with her knitting and clamouring for a cup of tea and a corned beef sandwich in the updated libretto. His voice projected well and he used it expressively". The Barber of Seville - Garden Opera. (Margaret Davies, Opera Magazine November 2009)